CHAPTER TWENTY-ONE
The wind nipped at Naledi
Jameson’s hands as she pulled her fingerless gloves tighter and turned the page
of her book. An announcer
mentioned delays to the trains and, not even bothering to look up and check the
adjusted times, she sat herself down on a cold, metal bench, still wet and nipping
from snow the night before.
She put the book down
and pulled her scarf up until it covered her chin and bumped her glasses. She pushed them up, still trying to get
used to wearing them and wondering again if she should have opted for contact lenses
instead. She looked down at the
book and absently ran her finger across its pages. She was nearing the ending now, and it was the ending she
wanted: simple, neat, happy, where heroes were heroes, villains defeated, and
love saved the day.
It wasn’t like that
really, of course. It couldn’t
always be neat. People got hurt
and lies were told, however well intended. Naledi thought of her mum and Clive and how long it had
taken for her to be able to call him that. She thought of doctors and crying and therapy and pills and
that silly day a few years ago and more doctors. She shook her head and gazed up now at the railway station’s
clock. Another three minutes until
her train arrived.
Things weren’t
perfect, not at all, but everything seemed so very long ago and she tried not
to think about them really as she couldn’t turn it all back and do it all
again. Still, moments played out
when she closed her eyes: Miss. Schnabeltier leaving the school, pregnant, a
couple of years after that day round the kitchen table; Clive moving in; the
way that, slowly, somehow, she had started to talk to him properly.
And then there had
been Sam and the first time her heart had been broken, and Jo (“I’ve got the
same name as your mum? Isn’t that… weird?”) and Taylor and, finally, currently,
Jamie.
Naledi’s phone
started to vibrate so she looked at it: her mum. They talked, of course, but not like other mums and
daughters did; not like she felt she should. People told her it was silly to think like that, but people
hadn’t gone through what she had gone through, however good intentions had
been. There was so much to tell,
but so little, too. The details
were just that, details, and most people just had the edited highlights:
therapy, Clive in, weddings, Sam, ya-di-ya-di-ya-da. What was it Miss. Schnabeltier had said about not worrying
too much sometimes about the details and just going with it? Her phone beeped again: an answerphone
message. Probably a snappy one
from Mum.
Again, not everything
was perfect. But it was okay, and
she’d take that.
She looked at her
book and then up at the platform her train arrived. Her mum would have to wait for now; she could always call
her back. There was never enough
time to deal with everything, no matter how much of it she had on her hands.
Time never stopped or
froze, even when she wanted it to.
It all just kept going, however hard that was, but Naledi went with it,
largely because she didn’t have any choice. Sometimes, her fingertips would lightly brush together, link
in a moment of stress, but she didn’t notice she was doing it, and nothing ever
happened. Nobody ever became a
hero by stopping and taking the scenic route.
She shoved herself
into a seat, still warm from the person sat there before. The train jerked out of the station and
Naledi tugged at her scarf so her mouth was free again, her breath catching in
the relative warmth of a snow-free train carriage. She got her train ticket out, ready for inspection, put her
phone into her pocket, and turned to her place in her book. A superhero in it did a superheroic
thing, and Naledi carried on reading.
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